1st Scene Screenplay – SENIOR PRANK by Shiv Sudhakar

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch Table Reading of the July 2016 Winning First Scene Screenplay.

SENIOR PRANK by Shiv Sudhakar

SYNOPSIS:

Genre: Comedy

A group of cunning high school seniors must outwit their principal in order to pull off the ultimate senior class prank.

CAST LIST:

NARRATOR – Val Cole
AL – Dan Cristofori
CARL – David Occhipinti
FRAN – Viktoria Napolenova
ALFRED – Michael Gaty
GUS – Mark Boutros

Get to know the winning writer:

1. What is your screenplay about?

It’s about a group of cunning high school seniors who try to outwit their wary principal in order to pull off the ultimate senior prank.

2. Why should this screenplay be made into a movie?

Whether we happen to be in high school or not, I think it speaks to the high school kid in all of us who secretly want to pull off the ultimate senior prank without having to face the consequences. It’s about rules and how some rules are meant to be broken sometimes. It reminds us that having good friends is important in life–even as we get older and you can never go wrong following your instinct.

3. How would you describe this script in two words?

Funny and Original.

4. What movie have you seen the most times in your life?

Way too many to count. Titanic. I hate to admit it, but it’s true.

5. How long have you been working on this screenplay?

About 2 years.

6. How many stories have you written?

About 5-6.

7. What motivated you to write this screenplay?

The most impactful experiences in my life were in high school. My teachers and friends taught me a lot about life and how to be a good person. I wanted to give back, so I decided to volunteer my time and tutor students struggling in the high school I went to. This script came out my own positive experience in high school and tutoring the students.

8. What obstacles did you face to finish this screenplay?

I work full time as a physician and take classes part-time at Academy of Art to complete my MFA. I wrote this script on my own time, so I would say the biggest obstacle was time, but like anything in life, you find time for what you love to do.

9. Apart from writing, what else are you passionate about?

Teaching. I really like teaching high school students. I don’t get paid for it, but it is a real treat to go back to my own high school and teach in the same classrooms to the new generation of students. I also love to run!

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Like any writer, I go through extremes of what I think my script could become–the next oscar winning screenplay or the worst screenplay written…like ever. I entered to see if anyone else besides myself would actually like it! The feedback was really positive and motivating. It made me feel it could go somewhere. I started pitching it and got a request last week (which I know does not mean anything–the executive may not like it and then I’m back to sqaure one, but still it was fun to send it to him since I have never been able to get any of the scripts I have written in an executive’s hands…until now!)

11. Any advice or tips you’d like to pass on to other writers?

Everyone says write what you know, but I would say weave in what you know with what you want to see on the movie screen. Find a mentor and listen to him or her. Write as much as you can and read as many scripts as you can. Get coverage. Don’t ever send out your first draft. If you look at the success stories of many professional screenwriters, almost everyone has a unique journey which lead them to the big break. Professional screenwriters exist–so why can’t it be you? Life’s not a spectator sport–like my favorite high school teacher taught me–you have to go after what you want.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

1st Scene Screenplay – NINE SCARS by Kelly Crawford

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch Table Reading of the July 2016 Winning First Scene Screenplay.

NINE SCARS by Kelly Crawford

SYNOPSIS:

Genre: Fantasy, Romance, Thriller

A teen romance thriller that takes place in a world in which everyone has nine lives. In this world of nine lives, an aspiring football player must risk all of his lives to rescue his girlfriend from the ruthless leader of a gambling syndicate who’s trying to fix the college football championship game.

CAST LIST:

NARRATOR – Val Cole
KEITH – Dan Cristofori
PRINCIPAL – David Occhipinti
ROBBIE – Michael Gaty
MATT – Mark Boutros
JAMIE – Viktoria Napolenova

Get to know the winning writer Kelly Crawford:

1. What is your screenplay about?

IN A WORLD IN WHICH EVERYONE HAS NINE LIVES, AN ASPIRING FOOTBALL PLAYER MUST RISK ALL OF HIS LIVES TO RESCUE HIS GIRLFRIEND FROM THE RUTHLESS LEADER OF A GAMBLING SYNDICATE WHO’S TRYING TO FIX THE COLLEGE FOOTBALL CHAMPIONSHIP GAME.

2. Why should this screenplay be made into a movie?

IT’S ORIGINAL, WITH A COMPELLING REMINDER THAT WE HAVE ONLY ONE LIFE TO LIVE.

3. How would you describe this script in two words?

ACTION PACKED!

4. What movie have you seen the most times in your life?

THE RELUCTANT ASTRONAUT

5. How long have you been working on this screenplay?

ONE YEAR.

6. How many stories have you written?

TWO SO FAR.

7. What motivated you to write this screenplay?

FIVE YEARS AGO I SURVIVED A BRAIN HEMORRHAGE AND BEGAN CONTEMPLATING MY MORTALITY. IN DOING SO I THOUGHT ABOUT A WORLD IN WHICH EVERYONE HAS MULTIPLE LIVES AND THAT LED ME TO CREATE “NINE SCARS”.

8. What obstacles did you face to finish this screenplay?

GETTING CONFLICTING FEEDBACK ON STORY IDEAS.

9. Apart from writing, what else are you passionate about?

SHARING THE LOVE OF JESUS CHRIST.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

THE FEEDBACK WAS EXCELLENT. VERY CONSTRUCTIVE AND HELPFUL. I ENTERED THE FESTIVAL BASED UPON THE NUMEROUS POSITIVE REVIEWS I READ ABOUT THE FESTIVAL.

11. Any advice or tips you’d like to pass on to other writers?

WRITING IS A CONTINUAL LEARNING PROCESS.

 

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

1st Scene Screenplay – CATCH! by Jerry Nield

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch Table Reading of the July 2016 Winning First Scene Screenplay.

CATCH! by Jerry Nield

Genre: Biography, Comedy, Drama

Synopsis: Could David really defeat Goliath?

CAST LIST:

NARRATOR – Val Cole
ACTON – Dan Cristofori
OLD MAN – David Occhipinti
JIM – Michael Gaty
TOM – Mark Boutros
ELLEN – Judy Thrush

Get to know the winning writer: 

1. What is your screenplay about?

Amusingly indulging in the sports and pastimes of England in the Victorian age, the American Wild West and the show business flavour of the era. This is the true story of how an impoverished 10 year old Irish cross-eyed boy escapes the coal mines, saves what’s left of his family and delivers retribution by taking on history’s most brutal and deadly wrestler to become the Heavyweight Catch Wrestling Champion of the World!

2. Why should this screenplay be made into a movie?

It’s an amazing story that hits on many points of interest, which a wide audience would enjoy watching.

3. How would you describe this script in two words?

Unbelievable entertainment.

4. What movie have you seen the most times in your life?

I watched Time Bandits many times as a teenager and have recently had the pleasure of watching it again with my wife and son, who’s 11.

5. How long have you been working on this screenplay?

I started with my first outline after I began researching the family history, 8 years ago.

6. How many stories have you written?

In writing, cutting and polishing, just this one screenplay, I have written countless short stories.

7. What motivated you to write this screenplay?

I thought of writing a film script after finding out Tom Connors, the cross-eyed, bow-legged, 5ft 6in and only 145lb wrestler, who managed to become the Heavy-weight Wrestling Champion of the World in 1887, was my great-grandfather.

But I was compelled to write when I discovered that he:

Worked the circus for P T Barnum.

Authored the first mail order wrestling/training instruction book.

Set up the “Tom Connors Athletic and Speciality Entertainment Company” which toured America, travelling from town to town, state to state and coast to coast, challenging any man of any size or weight to a wrestling match, offering $25 to anyone who could last just 15 minutes.

And that the entertainment included Farmer Burns, who before wrestling you, would drop 6 foot into the hangman’s noose and swing from the rope for 3 minutes whilst whistling “Yankee Doodle Dandy”. And the Glenroy brothers, a comedy boxing act whom Thomas Edison filmed in his earliest recordings.

8. What obstacles did you face to finish this screenplay?

Turning a rigid true story into an imaginative drama comedy, often meant running out of ideas and direction. Feedback has been an essential ingredient in keeping me on track.

9. Apart from writing, what else are you passionate about?

My helpful and supportive family, growing fruit and veg, fishing, travel and local history, especially the local myths and legends that abound where I live in Wales.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The chance of having my script performed by professional actors, was an opportunity not to be missed. My initial feedback was to the point and very helpful in highlighting where improvement was needed.

11. Any advice or tips you’d like to pass on to other writers?

Dive into your characters, leave yourself behind and try to be and act like that person, individual and if possible, unique.

****

Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

Watch the June 2016 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the June 2016 1st Scene Script Winners:

Watch WHEN THERE WAS TIME  by James Gillard, Kevin McGruder

Genre: Crime, Mystery, Thriller

Synopsis: When a drug dealer is killed in Harlem, NY, a corrupt cop is ordered to solve the case. A conscious witness in the community steps forward.

CAST LIST:

NARRATOR – Val Cole
DIX – Deney Forrest
MURDOCH – John Lester Phillips
CARL – Christopher Huron
REVEREND – Jeff Sinasic
ANGELA – Tracey Beltrano

******

STARBOUND, by Alex A  Kecskes

SYNOPSIS:

Genre: Sci-Fi, Fantasy, Action

Ancient, alien DNA turns a retarded teen into a powerful, gifted emissary to an advanced civilization that visited earth millennia ago.

CAST LIST:

NARRATOR – Tee Schneider
HECTOR – Geoff Mays
CHRISTINA – Kelci Stephenson
NAVARRO – Nathan Bragg
PRIEST – Julian Ford

******

EXISTENTIAL QUANDARY, by Brandon Maline

SYNOPSIS:

Genre: Horror, Thriller, Crime

A serial killer who turns his victims bodies into works of art becomesfixated on a little girl. She has dreams of him and thinks he is her angel, her mother pays little attention to it until the girl makes a model of the murderer.

CAST LIST:

NARRATOR – Geoff Mays
CAROLINE – Tee Schneider
CINDY – Kelci Stephenson
LUMBERJACK JOE – Nathan Bragg
PRINCIPAL – Julian Ford

****

Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

1st Scene from WHEN THERE WAS TIME by James Gillard, Kevin McGruder

Winning 1st Scene Screenplay for June 2016. Watch the reading performed by professional actors.

WHEN THERE WAS TIME  by James Gillard, Kevin McGruder

Genre: Crime, Mystery, Thriller

Synopsis: When a drug dealer is killed in Harlem, NY, a corrupt cop is ordered to solve the case. A conscious witness in the community steps forward.

CAST LIST:

NARRATOR – Val Cole
DIX – Deney Forrest
MURDOCH – John Lester Phillips
CARL – Christopher Huron
REVEREND – Jeff Sinasic
ANGELA – Tracey Beltrano

Get to know the writers:

1. What is your screenplay about?

When a drug dealer is killed in Harlem, NY, a corrupt cop is ordered to solve the case. A conscious witness in the community steps forward. Unbeknownst to her, her testimony can implicate him, unearths secrets about his partner, and reveals the paralyzing effect of “NO SNITCHING” in the community.

2. Why should this screenplay be made into a movie?

This screenplay should be made into a movie because it deals with sensitive polarizing subject of the term “snitching”. Delving into the issues which surround numerous communities and their constant fear of speaking out.

Fear that they won’t be protected and fear of the stigma it places on them if they come forward. . It also takes a look at those people who hold their community in fear with violence because they really have no power

3. How would you describe this script in two words?

insightful, edgy

4. What movie have you seen the most times in your life?

Sugar Hill

5. How long have you been working on this screenplay?

For 2 years

6. How many stories have you written?

I have written about 40 stories in my life. I am an author or 2 books which feature numerous short stories I have writen
4 plays. 2 movie scripts.

7. What motivated you to write this screenplay?

Gun violence. A changing community which is Harlem, USA.

8. What obstacles did you face to finish this screenplay?

The piece was written originally as a full length play. But in play form the script was too adventurous for the stage. The constant scene changes and cast made it difficult to produce theatrically.

So a decision was made to convert it into a screenplay.

9. Apart from writing, what else are you passionate about?

I enjoy music. Jazz and hip in particular. I’m passionate about reading and also helping people tell their own stories in different formats – books, plays, movies

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was motivated to enter the festival because I wanted to share the script. It was written several years ago and has really been just taking space on my computer. Waiting to be heard.
It was a scene shot for potential producers but that project folded. And I always wanted to put it into a festival or reading event where I could find out what works and doesn’t. I’m still learning the format of screen writing.

I welcomed it. As any writer criticism can be tough but in order to make progress you have to be willing to receive it. And the feedback has been invaluable. Some of the critiques I was aware of and some I wasn’t. Helps me sharpen my pen.

11. Any advice or tips you’d like to pass on to other writers?

be unafraid to share your work. Many people have masterpieces they are sitting on because they are afraid of criticism or they fear it will never get done. We write to create and then to share.

So share continuously — finding new ways to tell your story will help you grow as a writer.

****

Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

 

Deadline TODAY: First Scene Screenplay Festival

Deadline October 5th. Submit and get your first 10 pages performed!

Watch over 60 1st Scene Screenplay Festival Winners:

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants.

Are you just starting off your screenplay and want immediate feedback on your first scenes/first moments of your script?

Send your first scene (or first moments – 10pg. limit) and get feedback. Winners (at least 40 a year) get their first scene read at the MONTHLY WILDsound Screenplay Festival (see video on right for example of what you’ll get when you win).

Great way to promote your script!

Submissions take 3-5 weeks for evaluation. Looking for screenplays


Why this is the #1 Screenplay Festival and Contest in the World today!

 

– 0ffers screenwriters at all levels the fantastic opportunity to hear their scripts read aloud using TOP PROFESSIONAL ACTORS and showcased online for 1000s to see.

– This network currently averages over 90,000 unique visitors a day and growing.

– WATCH past and recent script winning readings! CLICK HERE and see what happens when your script wins. Now showcasing x5 more winners than in the past. At least 10 winners a month.

– One of the best places in the world for the writers to sell their script and/or obtain and agent. Over 80% of our winners obtain an agent.

– No matter what happens, you will receive full feedback on your script by our established WILDsound Reading Committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback on your script, this is the festival for you.

It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– Also, all winners get to be a guest on WILDsound’s popular coast to coast radio show and promote your script and your career to the world!


SUBMIT the first scene/first moments (10 pages or less) of your screenplay
You will receive feedback on your script in 3-5 weeks

The RULES are simple:

1. Write your first scene/first moments. Edit the heck out of it.

2. Email your script to 1stscenescreenplay@wildsoundfestival.com in .pdf, .doc, .wpd, .rtf, or .fdr format.

In the body in the email please add your:
– FULL NAME
– CITY AND COUNTRY
– TITLE OF SCRIPT
– TYPE OF SCRIPT (1st scene entry)
– (optional) and a 1-2 line synopsis of your screenplay.

OR if you like to mail us your script with a check, please email us and we’ll make arrangements.

PLEASE ADD YOUR FULL CONTACT INFO (especially email address) on the title page of your script!

3. Pay the $25 submission fee ($15 OFF regular submission) via the button below (credit card or payment account) or include a cheque payable to WILDsound Film Festival. Please put your full contact info (name, email address) on a title page

Buy Now Button

 

We also accept online submissions through Film Freeway. Click on the link BELOW to submit online through this middle-man resource website.

ALL SUBMITTED SCRIPTS GET FULL FEEDBACK – The goal of the WILDsound Film and Screenplay Festival is to help everyone involved grow as an artist, so we will offer feedback to jump start you to your next draft. If you are not fully satisfied with the feedback you receive, we will send it off to new committee members until you are fully satisfied. We understand where new and mid-level writers are coming from and we want to help you as much as we can.

WATCH past and recent script winning readings! CLICK HERE and see what happens when your script wins.


1st Scene Script Reading: STARBOUND, by Alex A Kecskes

Watch the June 2016 Winning 1st Scene Screenplay

STARBOUND, by Alex A  Kecskes

SYNOPSIS:

Genre: Sci-Fi, Fantasy, Action

Ancient, alien DNA turns a retarded teen into a powerful, gifted emissary to an advanced civilization that visited earth millennia ago.

CAST LIST:

NARRATOR – Tee Schneider
HECTOR – Geoff Mays
CHRISTINA – Kelci Stephenson
NAVARRO – Nathan Bragg
PRIEST – Julian Ford

Get to know the winning writer:

1. What is your screenplay about?

A writer doing a story on the Nazca Lines of Peru discovers that a once-abused young woman is the emissary for an advanced alien race.

2. Why should this screenplay be made into a movie?

The film poses the existential question: How would aliens contact us?

3. How would you describe this script in two words?

Thought provoking

4. What movie have you seen the most times in your life?

Day the Earth Stood Still (1951 – Directed by Robert Wise.)

5. How long have you been working on this screenplay?

11 Months

6. How many stories have you written?

Three screenplays.

7. What motivated you to write this screenplay?

The works of Carl Sagan and Philip K. Dickk

8. What obstacles did you face to finish this screenplay?

Research on the Nazca Lines and human genetics.

9. Apart from writing, what else are you passionate about?

Family, cinema, art, futuristic concepts.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Eager to hear my dialog performed by professional actors. Feedback was good and uncovered some minor points I hadn’t considered.

11. Any advice or tips you’d like to pass on to other writers?

Persist and don’t listen to the naysayers.

****

Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

1st Scene Script Reading: EXISTENTIAL QUANDARY, by Brandon Maline

Watch the June 2016 Winning 1st Scene Screenplay

EXISTENTIAL QUANDARY, by Brandon Maline

SYNOPSIS:

Genre: Horror, Thriller, Crime

A serial killer who turns his victims bodies into works of art becomesfixated on a little girl. She has dreams of him and thinks he is her angel, her mother pays little attention to it until the girl makes a model of the murderer.

CAST LIST:

NARRATOR – Geoff Mays
CAROLINE – Tee Schneider
CINDY – Kelci Stephenson
LUMBERJACK JOE – Nathan Bragg
PRINCIPAL – Julian Ford

Get to know the winning writer:

1. What is your screenplay about?

It’s a supernatural thriller slasher film where a new killer has come to wreak havoc and mystery in a quiet town by placing atrocious “totems” around. The story soon discovers that a single-mother and her child have some sort of connection to this killer; but why and in what way? As they scramble to unravel the mystery, the killer himself is dealing with his own EXISTENTIAL QUANDARY as to his own purpose.

2. Why should this screenplay be made into a movie?

I feel as if this particular story is unique in its set up and its layout, and hasn’t ever really been done. I like to think I take influence from Wes Craven and revitalizing and breathing new life into what is known as a drawn out subject matter. When I write, I try to imagine a film I haven’t seen, or a film I would want to see as a full fledged idea. This is why I feel a new, original (in my eyes) story is one to be seen.

3. How would you describe this script in two words?

Slowly intensifying.

4. What movie have you seen the most times in your life?

Quite a few: probably Nightmare on Elm Street (original) over 25-30 times, Scream about 20+, and Hocus Pocus about 40+ times since 1993.

5. How long have you been working on this screenplay?

I started the first draft in my screenwriting class in Dec ’13, and it has slowly evolved over the years little by little-it still isn’t even fully complete.

6. How many stories have you written?

I’ve written about 5-7 short scripts, and 2-3 partial full features. Also, I’ve written quite a few short stories, not scripts, for various fiction/creative writing classes and 3/4ths of a novella.

7. What motivated you to write this screenplay?

It actually came to me as I was reading a comic book that involved a former serial killer helping to analyze new crime scenes to help the police, yet he slowly starts to slip back to his ways—I’ll keep the title out to avoid copyrights. And I wanted to, in a sense, explore the psychological aspects of serial killings.

8. What obstacles did you face to finish this screenplay?

Still current. I was able to write the first 10 pages fairly quickly, but I am now only up to about 47 pages and haven’t finished.

9. Apart from writing, what else are you passionate about?

Film studies/analyzing films. Or just general film viewing and collecting.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I’ve always been curious as to the start of this since it does involve dark subject matter and a child and her mother, so when I came across this festival through one of my many script sources I wanted to see if I was heading in a possible right direction and wasn’t too taboo or obscene. I was interested in grabbing the reader quick and taking a thrill ride through a killer’s psyche.

At first I was shocked that they actually understood where I was taking this and that I did a great job to convey the feeling of the story and leave questions for the reader to be wanting more. It felt good to know the script that is my most questionable actually is off to a great start.

11. Any advice or tips you’d like to pass on to other writers?

Keep at it; collect stories, watch the world, write what you know and write what you want, not want the majority wants. Know what your specific audience you are writing for will be and don’t try to cater to everyone. Find your voice.

****

Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson

 

 

Watch the May 2016 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the May 2016 1st Scene Script Winners:

Watch PUPPETS, by James Griffiths:

Genre: Sci FI, Thriller, Noir

Synopsis: A rebellious New Yorker suspects his warehouse retail employer is controlling the minds of it’s staff and causing them to commit suicide.
CAST LIST:

NARRATOR – Sean Kaufmann
LADY – Jennifer Ferris
ANNOUNCER – Moui Nene

***

RORSCHACH, by Federico Franchi, Filippo Pierangelini

SYNOPSIS:

Genre: TV series pilot, sitcom

Lawrence Maietti, 22 years old, is in serious troubles and now has to quickly find some money. Unable to find work, he has an idea: trying to get the government subsidy by reason of insanity.

CAST LIST:

NARRATOR – Kelci Stephenson
LAWRENCE – Moui Nene
CLAIRE – Jennifer Ferris
CLAUDE – Zack Amzallag
MAN/PRIEST – Sean Kaufmann

**

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

1st Scene Screenplay: RORSCHACH, by Federico Franchi, Filippo Pierangelini

Watch the May 2016 Winning 1st Scene Screenplay

RORSCHACH, by Federico Franchi, Filippo Pierangelini

SYNOPSIS:

Genre: TV series pilot, sitcom

Lawrence Maietti, 22 years old, is in serious troubles and now has to quickly find some money. Unable to find work, he has an idea: trying to get the government subsidy by reason of insanity.

CAST LIST:

NARRATOR – Kelci Stephenson
LAWRENCE – Moui Nene
CLAIRE – Jennifer Ferris
CLAUDE – Zack Amzallag
MAN/PRIEST – Sean Kaufmann

Get to know writers Federico Franchi, Filippo Pierangelini:

1. What is your screenplay about?

FF: The screenplay is about a guy who struggles to achieve his results. To do that, he takes questionable choices that led him in kind of a different world, a brand new mental hospital, Here, he’ll learn something about himself.

FP: Is the story of a young man that, for necessity, finds himself in something bigger than him and, through that, he grows.

2. Why should this screenplay be made into a TV show?

FF: We think that this story could work very well as a TV Series because it’s funny and the characters can be seen in many different circumstances that will make people laugh. A lot. But the most important thing about it, is that there is an actual story behind the laughing, and is about decisions, growth and, in some ways, social, common, issues.

FP: Our idea is to do 20-25 minutes length episodes because we have so much material and there are so many potentialities that a movie would be too short.

3. How would you describe this script in two words?

FF: Funny, crazy.

FP: Fresh, strong.

4. What movie have you seen the most times in your life?

FF: Star Wars Episode 6 – Return of the Jedi, no doubt about that!

FP: Robin Hood: Men in Tights

5. How long have you been working on this screenplay?

FF: We’ve been working for three weeks to write this first scene and to create the whole concept of the series.

FP: Yes, three weeks.

6. How many stories have you written?

FF: This is my third story, but there are many more in my mind.

FP: Is my very first time writing something.

7. What motivated you to write this screenplay?

FF: I think that I really wanted to see how far this story could go and how the characters would react in all the situations, because I think that, even if is written as a comedy, this story is deeper than it may seem at a first look.

FP: Curiosity in first place, but also the fact that, even if it started as a thing just for fun, word after word it became more interesting and I see the potential of that story growing.

8. What obstacles did you face to finish this screenplay?

FF: We didn’t wanted to write down just some sketches, we wanted an actual story. And to make that we had to think about the motivations of the characters and how to make the events funny but also real.

FP: The fact that we had a beginning, a triggering event, and a sort of ending but we didn’t have any idea of how to connect these two parts.

9. Apart from writing, what else are you passionate about?

FF: I love music and sports, but most of all I read a lot. I’m always looking for good stories.

FP: Rugby, reading and politics.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

FF: We wanted a feedback, because we really believe in this project but you never know how really good it is.

FP: We discovered the festival casually and we wanted to try.

11. Any advice or tips you’d like to pass on to other writers?

FF: I suggest to study as much as possible, read every script and to always believe in themselves. Be humble, but aware of their own abilities.

FP: Don’t be afraid of telling every story that pops up in your mind. I think that you’ll grow up through this job, whatever happens.

*****
Director/Producer: Matthew Toffolo

Casting Director: Sean Ballatyne

Editor: John Johnson