Watch the October 2017 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the October 2017 1st Scene Script Winners:

 

ACTORADVENTURE 1st SCENE Screenplay – THE MONSTER HUNTERS CODE
October 2017 Reading
by Ryan Brannan

ACTORFAMILY 1st SCENE Screenplay – MY ATARI CHRISTMAS
October 2017 Reading
by Chris Parrish

ACTOR1st SCENE Screenplay – DEFYING THE TIDE
October 2017 Reading
by Anna Bamberger

ACTORTHRILLER 1st Scene Screenplay – BUNNYMAN BRIDGE
October 2017 Reading
by Colin K. Stewart

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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Winning 1st Scene of DEFYING THE TIDE, by Anna Bamberger

Watch the October 2017 Winning 1st Scene Screenplay.

A gripping history of a young Jewish mother and her baby desperately hiding from Hitler, and a courageous German woman who offered her help.

Genre: History, Drama

CAST LIST:

Narrator: Laura Kyswaty
Meyer Fromm: Brandon Knox
Frieda: Premika Leo
Ruth Abraham: Julie McCarthy
Ruth’s Rabbi: James Boutcher
Old Man: Luke Robinson
Walter Abraham: Rob Notman
Housekeeper: Lindsay Rolland Mills

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

 

 

Watch the September 2017 1st Scene Script Winners

 

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the September 2017 1st Scene Script Winners:

ACTORTV 1st Scene Screenplay – KODAK MOMENT
September 2017 Reading
by John Cruz Alarid
 

ACTORTV 1st Scene Screenplay – CELTIC BLOOD
September 2017 Reading
by Richard William Masterson
 

ACTOR1st Scene Screenplay – BROTHER’S MCSHANE
September 2017 Reading
by
 

ACTORFAMILY 1st Scene Screenplay – FOREVER CHARLEE
September 2017 Reading
by Hank Isaac
 

ACTORSTUDENT 1st Scene Screenplay – THE BOXMAN
September 2017 Reading
by Alexander Beale
 

ACTORSCI-FI 1st Scene Screenplay – THE FLUTE OF PEACE
September 2017 Reading
by Gunel Asgarova
 

ACTOR1st Scene Screenplay – SERAPHINA
September 2017 Reading
by Joe Tofuri
 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Watch the August 2017 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the August 2017 1st Scene Script Winners:

 

ACTOR1st SCENE Screenplay – WEBBED
August 2017 Reading
by Robert Drusetta

ACTOR1st SCENE HORROR Screenplay – SILHOUETTE
August 2017 Reading
by Lukas Hassel

ACTOR1st SCENE HISTORY Screenplay – THE LEGEND OF JAMESTOWN
August 2017 Reading
by Sherwin Allen

ACTOR1st SCENE ADVENTURE Screenplay – THE GATE
August 2017 Reading
by Della Vance Greenwalt

ACTOR1st SCENE CRIME Screenplay – THE BIRTHING FIELD
August 2017 Reading
by Robert Thorpe

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

1st Scene Screenplay – THE LEGEND OF JAMESTOWN by Sherwin Allen

Genre: Drama, History, Sci-FI

When a white slave owner suddenly turns black, and becomes enslaved, as he fights for his life and freedom, he learns that one cannot be judged by the color of their skin alone.

CAST LIST:

Narrator: Val Cole
Martha: Mandy May Cheetham
Oliver James: Ryan Yusep
Knox: Allan Michael Brunet
Betsy Walker: Angelica Alejandro

Get to know the writer:

What is your screenplay about?

The Legend of Jamestown is about a white slave owner in America during the 1800s, who turns black mysteriously, and in turn becomes a victim of his once profitable situation.

What genres does your screenplay fall under?

Drama and Sci-fi

Why should this screenplay be made into a movie?

This screen play should be made into a movie, because right now America is going thru a very racial period, with movements like Black Lives Matter and White Supremacy groups that are marching in the street, and in reality its sometimes hard for one person to understand another person’s struggle until they are in that person shoes, and this screen play reflects heavily on that.

How would you describe this script in two words?

Racial Awareness

What movie have you seen the most times in your life?

Saving Private Ryan.

How long have you been working on this screenplay?

7 months.

How many stories have you written?

7 screenplays.

What motivated you to write this screenplay?

The racial tension in America at present.

What obstacles did you face to finish this screenplay?

Focusing on only this script, I tend to write multiple scripts at a time.

Apart from writing, what else are you passionate about?

I’m passionate about directing movies, I love being on a film set and being able to create imaginary worlds.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway is a great platform I use them for all of my screen plays and movies. It’s user friendly and if I have any issues they get back to me quickly.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was influenced to enter this festival because I love to see actors reading the script it helps me to see which lines actually work and which lines don’t work. I was excited to see a project with a very tense subject matter, received well by the festival. It can be a tender process writing about real life matters and getting a negative feedback, so it was nice to get good feedback on such a screenplay.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Watch the July 2017 1st Scene Script Winners

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the July 2017 1st Scene Script Winners:

ACTORFEMALE 1st Scene Screenplay – GOD’S WORK IS NEVER DONE
July 2017 Reading
by Tara C. Hall

ACTORROMANCE 1st Scene Screenplay – WAITING TO CRUMBLE
July 2017 Reading
by John Ott

ACTORFANTASY 1st Scene Screenplay – THE FLUTE OF PEACE
July 2017 Reading
by Gunel Asgarova

 

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning 1st Scene Screenplay – THE BIRTHING FIELD by Robert Thorpe

Watch the Winning August 2017 1st Scene Screenplay:

Genre: Thriller, Crime, Drama

CAST LIST:

Narrator: Val Cole
Jonah: Allan Michael Brunet
Hank: Ryan Yusep

Get to know the writer:

What is your screenplay about?

The story is about two people from opposite ends of the spectrum; ones from money and the other has struggled. They absolutely love each other but that love gets tested when they are both abducted and forced to procreate knowing that their baby will be sold on the black market. This time held captive will test their resolve, their love and their understanding of one another. It is more about them, than the situation they are in.

What genres does your screenplay fall under?

Drama and Horror

Why should this screenplay be made into a movie?

Because so few “horror” films take the time to focus on the characters. Usually in dark thrillers or horror it is about the killer, and how he will kill next and how shocking that can be. We never really get to know anything about those that are the ones going through the ordeal. I want to make something that people will say that is messed up, but at the same time know, that this happens in real life. Human Trafficking is a billion dollar industry.

How would you describe this script in two words?

In-Tense!

What movie have you seen the most times in your life?

Probably Goonies. I grew up on that and it will forever stand the test of time.

How long have you been working on this screenplay?

After I wrote and directed the short film and won some festivals, I was asked if there is a feature version of this and at that time, there wasn’t. So, I hunkered down and went into it and so, its been about 4 years now that I have been working on it.

How many stories have you written?

That is an odd question, I mean, I have been writing short stories, and poems and lyrics my whole life. So, not sure how many. Screenplays though, I have written 4 and currently on my fifth.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Wow, um, there are so many and to me music is mood, so depending on my mood. Gosh! Dead or Alive by Bon Jovi to Proud Mary by CCR. Um, lately I have been on a Rush kick, anything Rush is amazing. Temples of Syrnx is a masterpiece.

What obstacles did you face to finish this screenplay?

The biggest was writing it so that it is a character study and still horror which is what I like to write the most, or very dark dramas/thrillers. Trying not to give into what society/studios wants in horror films now, the high speed, Paranormal, Insidious and Annabelle’s. Those are fun, and all, but they are built for the scare moment. That thing that makes you jump, which is fun, but I want people to walk out of the theater going, that is F’ed up man, but also feel like there is more to life than what we are currently doing. The will to survive through adversity is amazing and the only way you can really get down to that, is writing characters that people can identify with, watch them go through something horrific and come out better people for it.

Apart from writing, what else are you passionate about?

Love travel, during my 14 years in the military I travelled everywhere, even places I didnt really particularly want to go, but I still made the best of it. Since I got out, I continue to travel whenever I can. Trying new foods, and seeing what this amazing world has to offer. It is a shame there is so much violence that doesn’t allow for the freedom of travel everywhere. One day maybe, I have hope.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Its ease. Withoutabox required way to much work for a short film or a screenplay. Its good to have all that other works done, like pictures, sketches and a look book, but that should be shown if your script or short film gets some looks by a potential investor or purchaser of your script.

What influenced you to enter the festival?

What were your feelings on the initial feedback you received? It’s true, the first 10 to 15 pages are the make or break of a script, if it doesn’t grab the reader, by page 20 they are already not interested so, submitting to something like this to see if the opening grabs a reader is so important. I am surprised there are not more festivals that do this. About the feedback, some good notes. All notes are good, even the ones you don’t quite understand, because it is the note behind the note which is, something about a particular area took the reader out of it and you don’t want that. You just have to learn which notes to implement and which ones to really think about. All of them should be looked at. Being so close to your story, outside eyes always see something that you cannot see.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox