1st SCENE Script Reading of GRAVITY’S PULL, by Robert Sivigny

Genre: Drama, Crime

An excellent séance fraudster evades police capture by faking his death.


Narrator: Elizabeth Rose Morriss
Dr. Johnson: Geoff Mays
Maria: Ariel Brooker
Roy: Hugh Ritchie
Rosemary: Julie Burris
Voice of Dead Child: Pip Dwyer

Get to know the writer:

What is your screenplay about?

An out of luck carnival medium tries for one last big score on a desperate widow, and discovers his act might not be a con after all.

What genres does your screenplay fall under?

Drama, horror.

Why should this screenplay be made into a movie?

A story about the final scam of a carnival con man who claims to be able to speak with the dead: who wouldn’t be intrigued?

How would you describe this script in two words?

Gravity’s Pull.

What movie have you seen the most times in your life?

The Adventures of Baron Munchausen.

How long have you been working on this screenplay?

A few years.

How many stories have you written?

50 or so.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Moritat (Sonny Rollins)

What obstacles did you face to finish this screenplay?

Always finding the time, and then the distance to read it objectively.

Apart from writing, what else are you passionate about?

Not much.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

This script had some success in various contests, but little else. After putting it aside for a year, I decided to try another draft, and wanted to get some feedback on the first scene. I enjoyed your contest, and the feedback was worth the entry fee. The first scene and its aftermath become increasingly central to this story as it unfolds, so it was important for me to see if it worked, as odd visuals are quickly introduced. And the central question of whether you want to spend more time with this character.


Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Camera Operator: Kierston Drier

Editor: John Johnson

Casting Director: Sean Ballantyne


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