The Los Angeles FEEDBACK Festival Presents:

Submit a screenplay that is only 1 page long and have it performed at the Writing Festival by professional actors. Also garner FULL FEEDBACK on your work.

(NOTE: The screenplay submission must be properly formatted.)

 Submit for only $15. Most of the screenplays will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.

A great way to get your words out there, obtain the Agent you’re looking for or just get your story and work seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using top professional actors. It’s a rush you’ll never experience in your life seeing it come to life that way.

The RULES are simple:

1. Write a story that is 1pg. maximum. Edit the heck out of it. We accept…

Submit a short story that is only 1 page long (maximum 400 words) and have it performed at the Writing Festival by a professional actor. Also garner FULL FEEDBACK on your work.

 Submit for only $15. Most of the stories will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.

A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.

The RULES are simple:

1. Write a story that is 1pg. maximum. Edit the heck out of it. We accept novels in all genres.

2. Email your story to novels@novelwritingfestival.com

Read best of Production Designer interviews: https://matthewtoffolo.com/tag/production-design/

Interview with Production Designer Beth Mickle (Drive, Whiskey Tango Foxtrot)

In terms of career growth—I also think designers can make that mental shift of thinking on a smaller scale early in their careers on smaller films, to thinking on a larger scale as projects grow in size. But I think it’s much more difficult for designers to start with thinking on a larger scale, then downsizing their approach and expectations on a smaller project. And as we’ve seen so much lately—some of the highest quality films being made right now are the smaller, independent projects (“Ex Machina”, “12 Years a Slave” to name a few), and if a designer catapults you to doing an $80 million film as his or her first film, downshifting to this smaller budget range can prove to be a difficult maneuver.

Interview with Production Designer Jane Musky (When Harry Met…